Here’s how to spot old attitudes, emotions, behavior patters and actions that sabotage you and a great exercise to clear you mind for successful writing.
Tag: Writing Advice
#BeFabFriday – Joyce Carol Oates: Why We Write
#BeFabFriday – Life has no meaning without the narrative we construct around it.
Write Every Day
Here’s how to put Martin Scorcese’s philosophy into practice every day. Below is a FREE LESSON from the One Hour Screenwriter eBook.
John Updike – Writing Routine
An interviewer asked Updike, about his writing routine: You’ve said that it was fairly easy to write the Rabbit books. Do you write methodically? Do you have a schedule that you stick to? Updike answers with a full explanation of his routine
Novel to Movie Adaptations – John Updike
When looking for a novel to adapt, look for a story that has a strong external narrative. Find a story in which a character’s actions lead to specific external consequences with real impact and which effect important transformation in the character or others.
#WritingAdviceWednesday – Neil LaBute on Rewriting
#WritingAdviceWednesday – Never say in words what you can say with action
Stick To It – Reward Yourself
Nick Schenk scored big with Gran Torino after over ten years of struggle, rejection and near-misses. How does someone– anyone– keep motivated in the face of impossible odds, daunting circumstances and a crushing lack of validation. Here’s how.
Writing Routine
I discovered a great website that discusses how various writers and artists approach their work and organize their day. Below is a discussion of the simple method Anthony Trollope used to write forty-nine novels in thirty-five years!
#WritingAdviceWednesday – Coming of Age Films and Power of Idealism
#WritingAdviceWednesday – Coming of Age films, as I define them, are Power of Idealism films.
Emotional Status Quo
Too often characters seem to have emotional amnesia, especially when off stage for a couple of scenes. What’s a character’s emotional status quo? It’s the emotional temperature of the character when he or she enters a scene.