The TV Economic Model Changing

The future is arriving faster that anyone expected. It is playing out in the biggest pay-TV provider, Comcast’s takeover of NBC and Rupert Murdock’s battle with Time Warner cable.

Storytelling In The Digital Age: Gary Carter

I’ve had the great opportunity to work with Gary Carter, Chief Operating Officer and Chief Creative Officer of Fremantle’s experimental division, FMX. I’ve worked with him on the broadcast side of FremantleMedia’s business. FMX is the division that is working with me on my online drama and interactive website.

How Not To Write Online

Here are my observations about a very spectacular public online series failure: Quarterlife. These are the take-aways from my analysis of the series created by Marshall Herskovitz and Edward Zwick

The Switch to Online Viewing

Common among many who have cut the cord is a sense of rebellion, not against TV but against service providers. They believe their way of watching represents the future of TV — online and on demand.

Writer Access Project

The Writer Access Project is designed to identify excellent diverse writers with television experience and to bring these writers’ scripts to the attention of showrunners, creative executives and agents for consideration during staffing season. Info here.

Cougar Town – When a Character Doesn’t Ring True

Cortney Cox’s character is is poorly defined, cartoonish and utterly inauthentic. She acts like a thirty-year old Judd Apatow guy trapped in a one-note joke about being desperate but clumsy in the attempt to get laid.

Project Runway and the Power of Love

Anyone looking to develop a compelling male Power of Love character would do well to take a look at Tim Gunn in action on Project Runway.

#TypesTuesday – Power of Truth in Burn Notice and The Mentalist

#TypesTuesday – Power of Truth characters are driven to look beneath the surface of things.