Storytelling In The Digital Age: Gary Carter

I’ve had the great opportunity to work with Gary Carter, Chief Operating Officer and Chief Creative Officer of Fremantle’s experimental division, FMX. I’ve worked with him on the broadcast side of FremantleMedia’s business. FMX is the division that is working with me on my online drama and interactive website.

How Not To Write Online

Here are my observations about a very spectacular public online series failure: Quarterlife. These are the take-aways from my analysis of the series created by Marshall Herskovitz and Edward Zwick

Make a Plan

Managing our time needs to become a ritual too. Not simply a list or a vague sense of our priorities. That’s not consistent or deliberate. It needs to be an ongoing process we follow no matter what to keep us focused on our priorities throughout the day.

Are You Living a Default Future?

Here’s how to spot old attitudes, emotions, behavior patters and actions that sabotage you and a great exercise to clear you mind for successful writing.

My Fremantle Online Series – What’s in a Name?

Probably one of the hardest tasks in getting my new FremantleMedia online series up and running is finding the right name. It’s been the source of endless meetings, intense discussions and general agonizing and floundering all around. Why is this naming business so hard? Probably because naming an online series is so important to its success. Here are my thoughts on the process.

AFI Digital Storytelling Conference

The AFI DigiFest 2009 is a great opportunity to learn about cutting-edge storytelling and media prototypes created at AFI and across the country. Free registration and links here.

The Switch to Online Viewing

Common among many who have cut the cord is a sense of rebellion, not against TV but against service providers. They believe their way of watching represents the future of TV — online and on demand.

Writer Access Project

The Writer Access Project is designed to identify excellent diverse writers with television experience and to bring these writers’ scripts to the attention of showrunners, creative executives and agents for consideration during staffing season. Info here.